Molly Toombs
While her coworkers may groan about the
odd hours one will work as a nurse, Molly actually rather enjoyed it.
She liked having weekdays off, like this one, because it meant she had
time to run every errand she could imagine and all while most of the
average citizens of the city were at work. That meant a short line at
the grocery store, a quick and easy trip to the bank, and an easy enough
commute to go buy herself some new scrubs for work since she had at
least three pairs that really should be disposed of by now.
Sure,
she had to sacrifice her Friday and Saturday nights to the swing shifts
at the hospital emergency room, but who cares? It's not like she had
parties to attend, or crowds of friends and family that would have
events that demanded her presence. The good thing about keeping only a
couple select friends from college around was that she didn't need to
block out her weekends for weddings all summer long. So she was free to
work those nights that others in her age group would groan to be cooped
up inside for, and similarly free to enjoy a day off that most people
wouldn't.
Her day bled into night, and Molly didn't correct her
schedule much on the days that she didn't work, so she was still out
even after the sun had gone down-- although she should really know
better by now.
She walked along the same stretch of sidewalk where
she had encountered and discovered an undead man last week. She wore
pair of jean shorts that were cut to have a higher waist (which helped
with tummy control), a light pink tank-top tucked into them, and a gray
cardigan over the whole thing that fell to the same length as the hem of
her shorts. Her hair was half-up, and she carried nothing with her but
the same tote bag that she always did, the one she used instead of a
regular purse.
Feet clad in clean white sneakers were easy with
their steps, moving on auto pilot because she's walked this path to take
her home almost every day since she moved into her apartment well over
two years ago. She looked like she was lost somewhere in her own
thoughts, not nearly so jumpy or cautious as you might expect someone to
be after learning that monsters were real.
Sure, they exist, she figured. But she's made it this far without being eaten alive.
Flood
It
would be untrue to say that Flood has been frequenting this street
looking for Molly. But when he finds himself walking to and from Union
Station or other destinations in its vicinity he does not go out of his
way to avoid it. In fact it has become his thoroughfare of choice whilst
traversing this little stretch of downtown Denver. And there he is.
That same dead man donning a different suit with the heavy-handed
helping of style and precise grace. His gait is that of a casual, but
purposeful, stroll. One wingtipped shoe in front of the other in his
long and assertive stride.
The kind of stride that might be called
a strut, but it's only a strut if you don't have the gravitas to go
with it, right? No, Flood is a dead man and a monster, but the worst
kind. The kind that tempts. The kind that tells you your vices and
hunger for power, your thirst for more and your bucking of the limits
and societal norms, all those things and more are okay. It's not
carousing. It's a bit more magnetic than that. He isn't the life of the
party. He's...
Your pusher man.
And for the dark things that are not nearly as base as drugs. Nothing so common. Nothing so simple. Words
he'd found himself saying recently. As he explored himself and another.
That's probably why he looks so contemplative. He does not take in the
surroundings on this darkened and dangerous (because he is there)
street.
Though Molly breaks him from his inner revery the remnants
of that introspection are still on his face when he spots and regards
her. As his path intersects with hers and each step takes them closer to
one another. Perhaps Molly's if she doesn't turn or try to cross the
street.
"What a pleasant surprise. I hope not only for one of us," he answers.
The
fabric of his suit is the kind of charcoal that looks black in this
kind of dimness. It complements his complexion where some nights black
just seemed too much of a contrast to his paper pale skin. He is wearing
a fedora, a similarly gray one with a white band, tipped forward until
his hand comes up to take it off when he finally meets her and speaks.
The gesture is polite and out of another time.
Bygone.
But this is the now and Flood seems acutely aware of it as all his attention becomes focused on one of his newest acquaintances.
Molly Toombs
Many
people who commute by foot and by public transit walk around with
headphones covering their ears. These were a useful tool to keep
strangers from trying to chat you up on the bus or ask you for change or
a cigarette on the corner. Molly was not one of these people, and her
ears were empty when she walked to and fro, especially at night. She
had a need to be aware to some extent of what was going on around her,
especially lately. She didn't want to be snuck up on, or have something
as important as the sound of a gun clicking or a knife being snapped
free from its stowaway handle go unnoticed.
Of course, she saw
Flood before she would have missed hearing anything from him anyways.
This was virtually a repeat of the first time she saw him, except this
time he was in a very dark suit and a fedora hat, and she was dressed in
street clothes instead of scrubs. She wasn't exhausted, the night was a
bit younger (it was only like 10:00pm), and there wasn't a lot of ice
left to break after their first encounter.
Molly noticed him, all
right, and was watching him cautiously as his face shifted from pensive
to attentive, and she stopped when his stride brought him directly to
her. She didn't think that he was going to just wave a greeting and be
on his way, so she was already slowing down when he came near, prepared
to greet him.
She didn't go pale to see him, didn't tremble with
fright or apprehension. That just wasn't Molly's way. She was a very
collected individual, for the most part, and tucked her hands into her
shorts pockets and pushed the cardigan back out of the way for her to
have room to do so. She didn't return his smile, because she wouldn't
call him her friend. But her tone of voice was calm and casual when she
answered him.
"Well, it's a surprise anyways," she said, and
watched him remove his hat in a show of manners that died out some time
ago. It left her to wonder what era this man really was from. She
reflexively wanted to guess the 1920's, but that was probably just
because she was looking at a suit and fedora. "On your way someplace, I
hope?"
Flood
"It's better than going no place,"
he responds. Because of course he was. Going someplace, that is, because
with the few hours available in the night there's only so much that can
be done and so much that needs doing.
He looks her over. The
shorts. The tank-top a burst of color to it all. The way he takes her in
it is like he's enjoying a burst of color in his own nightly
wanderings.
"You have a very pleasing figure," explaining the
wandering of his eyes over his form. "I've seen you in your work attire
and your play attire. And I even saw you once in a dress, though I don't
think you noticed me. But they all flatter you, so allow me to," like
he wants to cut off any shooing of his attention should she not take the
compliment. His hat rests just below his chest, still pinched between
the fingers of his left hand, and he looks down at her one last time.
At the tote bag.
"Always be prepared."
Molly Toombs
His answer was something that had Molly thinking for a second, then nodding with an expression on her face that said touché.
His retort to the dry tone that she greeted him with was fair, clever
enough, so she accepted it as a parry to her greeting and appeared
willing to carry on with listening to whatever it was that Flood felt
the need to say to her while he was on his way from point A to point B
this evening.
Whatever leniency he might have earned himself with
his wit went right out the window, though, when his green eyes combed
over her figure so openly. She was a curvy girl, full at the hip and
bust alike with thick thighs that she did little to hide this evening
and a soft stomach and waist that she was aware of without being ashamed
of. She dressed for her body type quite well, and Flood was making a
point not just of noticing that, but of letting her know that he noticed
it.
Her mouth pressed to a thin, displeased line, but she didn't
make any moves to hide herself away from him. He might have expected
that she would take the cardigan she was wearing and wrap it closed to
hide her torso from him at the very least, but she did no such thing.
She just stood with her hands in her pockets, the tote straps slung over
the shoulder opposite from the side the bag itself rested against,
which caused the straps to rest across her back and the center of her
chest respectively.
"Oh," she said with a bite of sarcasm that worked to cover the fact that he was making her uncomfortable (they love to watch us squirm, after all). "You know all the right things to say to a lady."
And then, with a small confused furrow of her eyebrows: "Allow you to be prepared? What are you getting at? Prepared for what?"
Flood
There's
a pleased smile that comes with her return. Her answer to his
compliment and all the bark and bite that comes along with it. Again
glad for her fire and weathering it easily enough.
Again it is polite.
If
he has finally knocked her off kilter as that flurry of questions might
indicate, commenting on her preparedness, his finger comes out to
indicate the tote and right her. Make her understand what he meant. That
same tote he'd picked a gun out of only nights before. The other hand
still holding that hat so that he is otherwise still as a statue. Still
as a corpse until he speaks and breaks the enchantment.
Actually, continues the magic that he embodies.
"I
meant your six-shooter, Molly. I wasn't a boy scout. But it's good
advice. Always be prepared," finally answering her questions, one and
all and at lengthy.
"How has your week been thus far? Still only
one bullet short or have you found reason to put it to use?" There is a
dash of what might be genuine concern in his voice, but it is
overshadowed by the simplicity of curiosity.
"I hope my revelation
hasn't been weighing too much on your mind," that same revelation he
had offered to obscure again. Something about ignorance and bliss, but
that would probably be lost on both of them, and it's one of the reasons
he is so pleased to see her.
She had chosen to know. And he seems interested in the development.
Molly Toombs
Oh,
he was talking about the gun. She glanced briefly down to the tote bag
at her side, then shook her head. "Oh," she said. That's what he
meant. The tone to her small vocalization was one of understanding.
It's clear to him that she'd misunderstood who he was talking about when
he spoke of being prepared, and she shifted her posture so one hand
left her shorts pocket and held onto the tote bag at her side, thumb
looped at the tote strap near its bottom.
He wanted to know if she
had to fire it, and she shrugged one shoulder to go along with her
verbal answer. "I haven't shot it. All the danger this month could
handle spent itself last week, it seems." Or so she told herself, at
least, because she had met another vampire since she encountered Flood
last, and here she was with him again tonight. She didn't trust the
tall, clean-limbed man in the suit and hat-- not one bit. She didn't
like his sharp interest in her, or how forward his nature was. She
wasn't sure what kept his interest, why he didn't just sweep past her
tonight or the night before, and it bothered her not to know.
Maybe that was why she didn't just say goodnight and walk away.
"You
hope, do you?" She huffed a little and shifted her weight between her
feet. "I went to school to learn all the laws and fundamental functions
of the human body. That's what I studied, and kind of what I do. I
know how things are supposed to work, and you've upheaved all of that.
With you here, what else is out there?" She asked, and gestured to the streets behind him, past his wide shoulders.
"You
said that there's much worse to worry about, and left me with that. Of
course it's been weighing on my mind. I have to reconsider everything
that I thought was absolute truth now." Oddly enough, accusatory though
she may be right now, she didn't actually sound angry with him for any
of what she was saying.
Flood
"I can tell you that
it makes lions and tigers and bears look like stuffed animals, but you
can probably guess at what goes bump in the night, and anything you can
guess is probably true," nodding almost casually as he paints what he
seems to think is an amusing picture of the night and all its horrors.
Its
many terrors, the least of which, or at least he seems to think, is now
standing before her. "I have my rules, though, my principles and I live
by them. I would characterize myself as a disciplined individual. I'm
sure that all of your education means that you are, as well, and your
willingness to know and reconsider shows you have an open mind. Both are
dangerous things, but like a gun, you just have to know how to use
them."
He looks around as if realizing they are at the same point
where they'd met that handful of nights ago. "We should have a more
formal meeting. Would you allow that?" He seems to have some level of
respect for her boundaries, just as he'd allowed her to find her way
home alone and without his following.
Molly Toombs
Without
her knowing his following, it should be rephrased. There was no way of
her knowing that he didn't follow the mortal woman without her noticing
him, and she had nothing but distrust for this man so she wouldn't
simply trust that he honored her insistence that he not know where she
live.
Now, let's be fair to Flood here just for a second. He hasn't actually done
anything to betray Molly's trust yet. He showed mercy to a woman
caught in a traumatic week with a strong upper lip and an aesthetic
representation of a past that he came from. Instead of finishing out
his game of cat and mouse with a feast he walked her part of the way
home before respecting her request to go the rest of the way alone. He
had plenty of options available to him. He could overpower her, he
could sneak after her, or he could reach into her very mind and flip the
switch that was her steely will and cool calm, and after that she just
wouldn't tell him no.
He had done nothing to deserve Molly's cool
and clearly untrusting (but not skiddish, it should be pointed out)
regard. This was something that he got by the grace of lacking a
heartbeat, and equally to the way that he behaved. He seemed up to
something all the time, like he was laughing at her behind his eyes and
in on some great joke that swept the spectrum of the world, and she
would never be let in on it.
And yet, when he assured her that
there were terrible, horrifying things out in the dark of night that
surrounded them, she believed him wholeheartedly. There was no doubt in
her mind that he was telling her the truth when he spoke of such grim
and scary things as though he were commenting on the weather. He had no
reason to lie to her there, nothing to lose to answering her honestly,
so he went ahead and did as he was curious about what her reactions
would be.
When he asked if she would allow him to have a more
formal meeting with her, she raised a pencil-darkened eyebrow
suspiciously and stood a little more straight. Her hands moved so they
could sink into her cardigan pockets, and she wrapped the sweater closed
in front of her, tucking her hands under her elbows to do so. The
motion was clearly self-conscious, and the fact that she began to rock
her weight back and forth from foot to foot only confirmed it. Her
voice was cautious, but hadn't changed much to reflect the anxiousness
that showed in her body language.
"Maybe. How do you mean?"
Flood
"I
mean it would be better than going no place," he begins, though he does
not shrug. Such a noncommittal gesture seems like it would be alien as a
part of Flood's repertoire.
"Night after night after night can
get boring. I'm sure you have questions and maybe I'll even answer a few
of them, but I'm asking for more than that. A bit of company. A bite to
eat - for you," and the way he interjects it's plain he'd planned out
the phrasing in order to then assuage any anxiety it might bring on.
"And allow me to be completely honest: A woman in the medical profession can always be a good friend to have." Friends. Yes.
Of course that's all he wants.
"And I can be a very good friend to have, in return," hand going to his pocket. A business card produced and held out.
"On
your terms. Completely. Give me a call and the location of your
choosing. Think on it. I'll let you get on your way -" glancing in the
direction she had been heading - "Home."
Molly Toombs
While
the vampire expressed how night after night of the same thing could get
very boring, she wondered if he was talking about his own life or
drawing a conclusion about Molly's own. If it was the latter, it was
spot on. Up until the night where men tried to harass her and one of
those men wound up trying to rape her at gunpoint, her life had been
very dull and run of the mill. She complained to the few close friends
she had about how bored she was with it, and was even in the works for
planning a lengthy out of country vacation to determine if leaving this
culture and finding a new one would sate this dissatisfaction or not.
It
would be interesting, and he would let her ask her questions-- hell, he
might even answer a couple. He's clearly got her interested, because
even as he's still speaking he'll notice the discomfort began to melt
away from her. She stopped rocking between her feet and instead stood
still, and her arms eased from how they were wrapped up close to her
torso.
When he held the card out for her, she took her right hand
from her pocket and reached out to accept it without hesitation,
thinking little of it. She looked down, read what information the card
had to offer, then brought her clear blue eyes back up to his green ones
to listen to his terms. The card was tucked into her back pocket, and
she moved her hands to hold on to the strap of her tote bag where it
rested across her chest.
"I will." Think on it or do it? She didn't clarify. "Goodnight, then, Flood. Uh. Take care."
She
took a few steps along her way, slow to start, still watching Flood
over her shoulder as she went. She'd go like this for a couple of
seconds before looking back forward, fixing her pace to something that
covered distance more effectively, and made her way back home to add
another scrap of contact information from dead men to the pile on her
dresser.
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